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Pathways Declaration

To access Pathways content, we require your consent to the following:

I ACKNOWLEDGE THAT:

A. My acceptance of these terms and conditions, countersigned by the AWG, operates as a Deed between the AWG and me (“this Deed”).

B. The loglines, synopses, treatments and/or scripts (“the Work”) I access and read on the Pathways Database will solely be for the purposes of potentially becoming attached to the Work for its production.

C. In so doing, I agree that I may acquire access to confidential ideas, material and/or information contained within the Work which I would not otherwise have had access to (as further defined under clause 1, the “Confidential Information”).

D. This deed sets out the terms under which I agree to deal with the Confidential Information.


IT IS AGREED:

1. “Confidential Information" means any ideas, material and/or information of any kind whatsoever not already in the public domain contained in the Work owned by the relevant copyright owner (the “Owner”).

2. I acknowledge and agree that:

2.1 I am receiving the Confidential Information from the Owner on a confidential basis;

2.2 I will treat the Confidential Information as confidential;

2.3 I will not disclose, permit the disclosure, use and/or permit the use of the Confidential Information in any manner to any person without the Owner’s prior written consent;

2.4 I will ensure that all of my agents and/or employees who are made aware of the Confidential Information do so on terms which reflect the terms of this Deed; and

2.5 I will not directly and/or indirectly make any use of the Confidential Information without further written agreement with the Owner, for any purpose other than as contemplated by this Deed or otherwise than to comply with my obligations to the Owner.

3. I may only disclose the Confidential Information when, but only to the extent that, details of the Confidential Information are:

3.1 Generally and publicly known and available other than as a result of any act, omission or circumstance caused by myself; or

3.2 Required by law to be disclosed or made use of (and then only if I have secured execution by the required recipient of a deed of confidentiality in the same terms as the confidentiality requirements of this Deed).

4. In the event that any part of the Confidential Information is substantially similar to a project I have in any stage of development or production prior to the disclosure of the Confidential Information, nothing in this Deed prevents me from disclosing the similarities I identify to a third party with an interest in the relevant project or a requirement to know about the project details including but not limited to broadcasters, investors, distributors, commissioning platforms and/or development or production partners. I will provide equal disclosure of the similarities I have identified to the Owner of the Work. For the avoidance of doubt this exception to the obligations imposed by Clauses 1 to 3 shall not be interpreted as giving authority to myself to disclose the Work in its entirety.

5. In the event of a breach and/or threatened breach of the terms of this Deed by me, the Owner and/or the AWG will be entitled (at the option of either) to apply for an injunction restraining me from committing any breach and/or further breach of this Deed without the need under this Deed to show or prove any actual damage suffered by the Owner or the AWG;

5.1 My obligations under this Deed will survive the discontinuance by my evaluation of, and familiarisation with, the scripts accessed by me from the Pathways Database; and

5.2 The awg.com.au agents, executors and assigns.

6. I warrant that any physical and/or electronic copies of Works will only be used solely by me for the purpose of potentially becoming attached to the script for its production and will not be communicated, transmitted nor disclosed to any third parties.

7. I indemnify the Owner of the Work and/or the AWG against any breach of any warranty given by me under this Deed.


   I have read, accept and agree to the Terms and Conditions of the Pathways Database set out in this Deed.
54.161.108.158


Primary22:25 - 22.11.2017

Find the projects you're looking for at Pathways, the new 'go-to' for world class projects from Australia's premier screenwriters. REGISTER NOW!

Find the projects you're looking for at @awgpathways, the new 'go-to' for world class projects from Australia's pre… https://t.co/BJlvAywOpa

Primary5:03 - 21.11.2017

Stream the @AFTRS Re: Frame event live on their Facebook page today from 3pm AEDT https://t.co/99u6vwKrQP

Retweeted by Aus Writers' Guild
Primary1:22 - 21.11.2017

Australian Writers' Guild announces new online portal to showcase projects to producers https://t.co/skbw6lAeE0 @AWG_1

Retweeted by Aus Writers' Guild
Primary1:31 - 20.11.2017

Australian Film Television and Radio School launches Re: Frame training focused on innovation & building your business. Catch the live stream tomorrow with speakers Russel Howcroft, Richard Harris, Chloe Rickard, Kate Montague and Mike Jones. From 3pm Tuesday below:

Learn how to plot out your story, develop characters and write your first draft in a 3 week short film intensive co… https://t.co/9OMeiOBD2r

Retweeted by Aus Writers' Guild
Primary2:08 - 17.11.2017

WA: Got an idea for a short film? In this short intensive course – 3 sessions over 3 weeks – you will work with a group of writers to take your story concept from seed to script. You will learn how to plot out your story, develop characters and write your first draft. Find out more below and book at awg.com.au

Talking @awgpathways at the top of #SCREENFOREVER All our fabulous writers here are featured on Pathways Prime - An… https://t.co/DjkeSHaFJw

Retweeted by Aus Writers' Guild

Australian Writers’ Guild @AWG_1 launches new online portal for producers https://t.co/bD56NUneUj via @ArtsHub

Retweeted by Aus Writers' Guild
Primary22:18 - 15.11.2017

The Australian Writers’ Guild has announced the launch of a new online portal, Pathways Showcase – the new ‘go-to’ for producers looking for Australia’s hottest new scripts and premier screenwriters. Launched yesterday at SPA’s Screen Forever conference, the portal is already showcasing over 80 original projects and dozens of Australia’s best screenwriters.

AWG launches new online portal for producers | ScreenHub Australia https://t.co/ZXwvwd215h

Primary0:57 - 15.11.2017

Introducing PATHWAYS PRIME AND PATHWAYS SHOWCASE, the new 'go-to' for world-class projects from Australia's premier screenwriters, launched today at #ScreenForever. Industry professionals are invited to REGISTER NOW: awgpathways.com.au

Primary0:41 - 15.11.2017

Find the projects you're looking for at @awgpathways, the new 'go-to' for world class projects from Australia's pre… https://t.co/nedaKWvT3d

Find the projects you’re looking for at https://t.co/TZHjmkvAn5 The new industry go-to for world-class projects fro… https://t.co/sJE80uCdwV

Retweeted by Aus Writers' Guild

Heads up established playwrights! Applications for the 2018 LYSICRATES PRIZE are now open!! Find out more:… https://t.co/cZN1oztmJK

Retweeted by Aus Writers' Guild

Yay! After a year hiatus the National Play Festival will be back in 2018! Dates 21-24 March 2018 in Sydney. Be ther… https://t.co/g7geJcUr0A

Retweeted by Aus Writers' Guild
Primary0:44 - 8.11.2017

Join us tonight as we chat to Gregory Erdstein and Alice Foulcher, the creative team behind the indie hit That’s Not Me, which premiered at the Santa Barbara International Film Festival in February 2017 and played at Melbourne International Film Festival earlier this year.

Melbourne! We're chatting w/ @AWG_1 at Dan O'Connell 7PM Wed which gives us exactly 24 hours to read & memorise Rob… https://t.co/FS6z0xmjTs

Retweeted by Aus Writers' Guild
Primary5:28 - 7.11.2017

Join us as we chat to Gregory Erdstein and Alice Foulcher, the husband and wife creative team behind the indie hit That’s Not Me, which premiered at the Santa Barbara International Film Festival in February 2017 and played at Melbourne International Film Festival earlier this year.

Primary5:26 - 7.11.2017

#Melbourne, want to learn more about what it takes to create a hit indie film in Australia? Join us tomorrow night as we chat to Gregory Erdstein and Alice Foulcher, the creators of That's Not Me, which premiered at Santa Barbara International Film Festival in February and played at Melbourne International Film Festival earlier this year to rave reviews! When: Wednesday 8 November 2017, from 6.45 pm Where: The Dan O'Connell Hotel, 225 Canning Street Carlton Tickets: $5 for members, $10 for non-members. RSVP online or pay at the door!

#Melbourne, join us tomorrow as we chat to the creators behind the indie hit @ThatsNotMeFilm https://t.co/K8oAmYTwHa

Help us fight for Australian stories & voices on screen - email your Federal MP in support of #MakeItAustralianhttps://t.co/uyicbAlB7n

Battle for Australian content jobs about to get nasty | The New Daily https://t.co/TPUyawt3Ju

#Playwrights this is your opportunity! @PlaywritingAus Max Afford Playwrights' Award closes for submissions 19 Nov… https://t.co/pFw76kpbGZ

Retweeted by Aus Writers' Guild

From Louise Lovely to Nicole Kidman: 100 years of Australian film – in pictures https://t.co/K10M7lTSyZ @GuardianAus @NFSAonline

Retweeted by Aus Writers' Guild
Primary1:44 - 3.11.2017

Primary23:20 - 1.11.2017

The 2017 John Hinde Award for Excellence in Science-Fiction Writing was presented on Tuesday 31 October at Brisbane Powerhouse to C.S. McMullen for Awake (Unproduced category) and Cris Jones for The Death and Life of Otto Bloom (Produced category). Photos by Veronica Kopinski.

Primary0:04 - 1.11.2017

A society where sleep is optional and the rich work and play on a 24-hour cycle is the thrilling setting of the winning unproduced script in the 2017 John Hinde Award for Excellence in Science-Fiction Writing, presented last night in Brisbane to C.S. McMullen for her pilot script Awake. ‘As a writer whose first love has always been science-fiction, this award has incredible significance for me, and I am prouder of this than perhaps anything else I’ve won,’ said McMullen, currently in Los Angeles. ‘Thank you so much to the AWG, and the estate of the late John Hinde for this bequest. This is part of a golden age for Australian science-fiction, and I am thrilled to be a part of it.’

Primary23:51 - 31.10.2017

Primary23:31 - 31.10.2017

Cris Jones, the screenwriter and director behind the celebrated sci-fi mockumentary The Death and Life of Otto Bloom, was posthumously honoured with the Australian Writers’ Guild’s $10,000 John Hinde Award for Excellence in Science-Fiction Writing last night in Brisbane. Jones, who passed away in September, entered his debut feature film in the John Hinde Award produced category in July, almost a year after the film made its premiere and opened the 65th Melbourne International Film Festival to great applause. Read more:

Primary2:36 - 25.10.2017

Help us keep the Make It Australian campaign on the agenda by sending a short email to your federal MP and Senators. Simply type in your postcode to find your MP, add your details and hit send! Click below to ask your local MP for their support for Australian stories on Australian screens #MakeItAustralian

Primary23:51 - 19.10.2017

Screen Australia are doing a YouTube Live series as part of their Outreach initiative, RSVP now for public live stream #2: all about markets. From travel support FAQs, to which events are up next. No rego required but email your Qs in advance.

Primary3:13 - 19.10.2017

Primary0:05 - 19.10.2017

'The Australian screen industry can brace itself for yet another Canberra-led inquiry, this time from the Senate Standing Committee on Environment and Communications. Greens Senator Sarah Hanson-Young today announced the committee will conduct an inquiry into the Economic and Cultural Value of Australian Content on Broadcast, Radio and Streaming Services'

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