Protecting and Promoting Writers’ Rights

On screen, on stage, on air

Protecting and Promoting Writers’ Rights

On screen, on stage, on air

Protecting and Promoting Writers’ Rights

On screen, on stage, on air

Protecting and Promoting Writers’ Rights

On screen, on stage, on air

Protecting and Promoting Writers’ Rights

On screen, on stage, on air

Previous slide
Next slide

Events

Online

Lunch Break: Put Your Best Foot Forward with Chryssy Tintner

Are you working on a script development application? Or maybe you’ve always wanted to but aren’t sure where to begin? In this session, industry expert Chryssy Tintner will talk members through the process of creating a strong development application. What are the funding bodies looking for? What does a good, realistic budget look like? How and…
VIC

VIC: Theatre Workshop

The road to creating TV and film is long, winding, and expensive – but writing and staging your work as a theatre project can be an incredible way to take ownership of your story, work collaboratively, and actually see your writing come to life. But how does the development process work in theatre, as opposed to…
VIC

VIC: AWG Movie Club – The Mandalorian and Grogu

We’re trying out a new format – a private screening of The Mandalorian and Grogo on its release date, in our own private cinema at FOMO Cinemas in Brunswick East! Tickets will go on sale at the start of May, and will include a free choc top or popcorn – so dust off your best Star Wars t-shirt (or…

News


AWG announces 2026 First Break NSW participants  

Wednesday 22 April: The Australian Writers’ Guild is pleased to announce the 15 screenwriters who have been selected to participate in First Break NSW, a unique professional development program designed to give talented, aspiring screenwriters a leg up in the industry through practical training in note-taking and script coordinating. Delivered with support from Screen NSW, the three-day…

Has your work been trained to use AI?

As part of the AWG’s ongoing work on Artificial Intelligence (AI), we’re looking into how much of our members’ work may have been used to train AI data sets.  To assist us in this work, we encourage members to take a look at this tool published by The Atlantic, and search the LibGen data set to see if your works appear…

Superannuation update for writers: 2026

10 April 2026 – Writers who are engaged by production companies to write scripts are entitled to superannuation under the Superannuation Guarantee (Administration) Act 1992 (Cth) (the Act). Section 12(3) of the Act states that if a person works under a contract that is “wholly or principally for the labour of the person” then that person is an employee of the other…

National Cultural Policy – Have Your Say

8 April 2026 – The Australian Writers’ Guild is preparing its submission to the federal government’s development of a new National Cultural Policy to shape the future direction of the creative and cultural industries. To help us consolidate our position, we invite members to contribute thoughts on how to improve our nation’s arts, entertainment and cultural sector.   The policy will continue to be structured around the…

Image credits

Poor Things, by Tony McNamara, photograph: Searchlight Pictures. Prima Facie, by Suzie Miller, photograph: Helen Murray. Gordon (Patrick Brammall) and Ash (Harriet Dyer) in Colin from Accounts Season 2, photograph: Joel Pratley/Easy Tiger Productions/Binge/CBS/Screen NSW. Stray Gods: The Roleplaying Musical, by Summerfall Studio. Little J and Big Cuz, image provided by Ned Lander.